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Sir Michael Scudamore Redgrave (20 March 1908 – 21 March 1985) was an English actor and filmmaker. Beginning his career in theatre, he first appeared in the West End in 1937. He made his film debut in Alfred Hitchcock's The Lady Vanishes in 1938.
Redgrave received a nomination for the Academy Award for Best Actor for his performance in Mourning Becomes Electra (1947), as well as two BAFTA nominations for Best British Actor for his performances in The Night My Number Came Up (1955) and Time Without Pity (1957).
At the 4th Cannes Film Festival, he won Best Actor for his performance in The Browning Version (1951).
Redgrave attended Clifton College in Bristol."Clifton College Register" Muirhead, J.A.O. p395: Bristol; J.W Arrowsmith for Old Cliftonian Society; April 1948 Clifton College Theatre was opened in 1966 by Redgrave as the first purpose-built school theatre in the country. After his death, the building was renamed The Redgrave Theatre in his honour.
Upon leaving Clifton, Redgrave went on to study the modern languages and English at Magdalene College, Cambridge. Under the direction of Dadie Rylands, he garnered great acclaim for his starring roles on CUADC as Edgar, Prince Hal and Captain Brassbound. Alongside the art historian Anthony Blunt and schoolfriend Robin Fedden, Redgrave also edited an avant-garde literary magazine called The Venture, which published work by Louis MacNeice, Julian Bell and John Lehmann.T. E. B. Howarth, Cambridge Between Two Wars (London: Collins, 1978), p. 71. He graduated with a third-class degree in 1931."University News", The Times, 18 June 1931, p. 16.
Redgrave taught modern languages at Cranleigh School in Surrey for three years before becoming an actor in 1934. He directed the boys in Hamlet, King Lear and The Tempest, but played all the leading roles himself. The Great Stage Stars, Sheridan Morley
At the Embassy Theatre in March 1937, he played Anderson in a mystery play, The Bat, before returning to the Old Vic in April, succeeding Marius Goring as Chorus in Henry V. Other roles that year included Christopher Drew in Daisy Fisher's comedy A Ship Comes Home at the St Martin's Theatre in May and Larry Starr in Philip Leaver's comedy Three Set Out at the Embassy in June, before joining John Gielgud's Company at the Sondheim Theatre, September 1937 to April 1938, where he played Bolingbroke in Richard II, Charles Surface in The School for Scandal and Baron Tusenbach in Three Sisters.
At the Apollo in June 1955 he played Hector in Tiger at the Gates, appearing in the same role at the Plymouth Theatre, New York City in October 1955 for which he received the New York Critics' Award. While in New York he directed A Month in the Country at the Phoenix Theatre in April 1956, and directed and played the Prince Regent in The Sleeping Prince with Barbara Bel Geddes at the Coronet Theatre in November 1956.
Returning to London in January 1958, Redgrave appeared as Philip Lester in A Touch of the Sun (N. C. Hunter) at the Saville Theatre. He won Best Actor in the Evening Standard Awards 1958 for this role. He rejoined the Shakespeare Memorial Theatre Company in June 1958, to play Hamlet and Benedick, also playing Hamlet with the company in Leningrad and Moscow in December 1958. (His wife Rachel Kempson played Ursula in Much Ado About Nothing and Lady Capulet in Romeo and Juliet).
At the Sondheim Theatre, in London in August 1959, he played H.J. in his own adaptation of the Henry James novella The Aspern Papers. His play was later successfully revived on Broadway in 1962, with Dame Wendy Hiller and Maurice Evans. The 1984 London revival featured his daughter, Vanessa Redgrave, along with Christopher Reeve and Hiller, this time in the role of Miss Bordereau.
Alongside John Dexter's Chichester staging of Saint Joan, Olivier's Uncle Vanya was first revived in Chichester in 1963 before transferring to the Old Vic as part of the nascent Royal National Theatre's inaugural season, winning rave reviews and Redgrave's second win as Best Actor in the 1963 Evening Standard Awards. Critic Michael Billington recalled: "In Redgrave's Vanya you saw both a tremulous victim of a lifetime's emotional repression and the wasted potential of a Chekhovian might-have-been: as Redgrave and Olivier took their joint curtain call, linked hands held triumphantly aloft, we were not to know that this was to symbolise the end of their artistic amity."Michael Billington State of the Nation: British Theatre Since 1945, London: Faber, 2007, p.142
Redgrave played (and co-presented) Lancelot Dodd MA in Arthur Watkyn's Out of Bounds at Wyndham's Theatre in November 1962, following it at the Old Vic with his portrayal of Claudius opposite the Hamlet of Peter O'Toole on 22 October 1963. This Hamlet was in fact the National Theatre's official opening production, directed by Olivier, but Simon Callow has dubbed it "slow, solemn, long", while Ken Campbell vividly described it as "brochure theatre." The National: 1963–1997 by Simon Callow, Nick Hern Books (1997)
In January 1964 at the National, he played the title role in Hobson's Choice, which he admitted was well outside his range: "I couldn't do the Lancashire accent and that shook my nerve terribly – all the other performances suffered." While still at the National in June 1964 he also played Halvard Solness in The Master Builder, which he said 'went wrong'. At this time he had incipient Parkinson's disease, although he did not know it.
In May and June 1965, Redgrave directed the opening festival of the Yvonne Arnaud Theatre in Guildford, including directing and playing Rakitin in A Month in the Country (co-starring with Ingrid Bergman as Natalya Petrovna), and Samson in Samson Agonistes (co-starring with Rachel Kempson as Chorus). He again played Rakitin in September 1965, when his production transferred to the Cambridge Theatre in London. For the Glyndebourne Festival Opera he directed Werther in 1966 and La bohème in 1967.
Nevertheless, he successfully took over the part of Father in John Mortimer's A Voyage Round My Father at the Theatre Royal, Haymarket, also touring Canada and Australia in the role in 1972–73.
In 1973, he played a supporting role in David Winters' musical television film adaptation of Dr. Jekyll and Mr. Hyde, starring Kirk Douglas.
He returned to the international touring of A Voyage Round My Father in 1974–75 with a Royal Shakespeare Company production of The Hollow Crown, visiting major venues in the US, New Zealand and Australia, while in 1976–77 he toured South America, Canada, the UK and the United States in the anthology, Shakespeare's People.
Redgrave's final theatre appearance came in May 1979 when he portrayed Jasper in Simon Gray's Close of Play, directed on the Lyttelton stage at the National Theatre by Harold Pinter. It was a silent, seated role, based on Gray's own father, who had died a year before he wrote the play. As Gray has said: "Jasper is in fact dead but is forced to endure, as if alive, a traditional English Sunday, helpless in his favourite armchair as his three sons and their wives fall to pieces in the usual English middle class style, sometimes blaming him, sometimes appealing to him for help and sobbing at his feet for forgiveness, but basically ignoring him. In other words I had stuck him in Hell, which turns out to be 'life, old life itself'." An Unnatural Pursuit and Other Pieces by Simon Gray, Faber (1985)
Redgrave also starred in The Stars Look Down (1940), with James Mason in the film of Robert Ardrey's play Thunder Rock (1942), and in the ventriloquist's dummy episode of the Ealing Studios compendium film Dead of Night (1945).
In 1946, the Motion Picture Herald annual poll of British film exhibitors showed that Redgrave was ranked in fourth place on a list of the most popular British stars at the box office.
His first American film role was opposite Rosalind Russell in Mourning Becomes Electra (1947), for which he was nominated for an Academy Award for Best Actor. In 1951 he starred in The Browning Version, from Terence Rattigan play of the same name. The Daily Mirror described Redgrave's performance as Crocker-Harris as "one of the greatest performances ever seen in films".Geoffrey Wansell, Terence Rattigan, p. 213
In 1951, the Motion Picture Herald annual poll of British film exhibitors showed that Redgrave was ranked in ninth place on a list of the most popular British stars at the box office.
The 1950s also saw Redgrave in The Importance of Being Earnest (1952), The Dambusters (1954) with his portrayal of the inventor Barnes Wallis, 1984 (1956), Time Without Pity (1957), for which he was nominated for a BAFTA Award, and The Quiet American (1958).
Notable television performances include narration for The Great War (1964), a history of World War I using stills and 'stretched' archive film, and the less successful Lost Peace series (BBC Television, 1964 and 1966). Of the latter, Philip Purser wrote: "The commentary, spoken by Sir Michael Redgrave, took on an unremittingly pessimistic tone from the outset." Halliwell's Television Companion Third Edition, Grafton Books (1986)
In 1975, Redgrave narrated the epic poem The Rime of the Ancient Mariner by Samuel Taylor Coleridge (a poem that Redgrave taught as a young schoolmaster). The film received six international film festival prizes, of which five were first place in category. (1998). 9780835240147, R.R. Bowker. ISBN 9780835240147
His daughter Lynn wrote a one-woman play for herself called Shakespeare for My Father. She was nominated for Broadway's Tony Award for this role. She traced her love for Shakespeare as a way of following and finding her often absent father.
Redgrave owned White Roding Windmill from 1937 to 1946. He and his family lived in Bedford House on Chiswick Mall from 1945 to 1954.Roe, William P., Glimpses of Chiswick's Development, 1999, , page 94 His entry for Who's Who in the Theatre (1981) gives his address as Wilks Water, Odiham, Hampshire.
The 1996 BBC documentary film Michael Redgrave: My Father, narrated by Corin Redgrave, and based on his book of the same name, discusses his father's bisexuality in some depth. Rachel Kempson recounted that when she proposed to him, Redgrave said that there were "difficulties to do with his nature, and that he felt he ought not to marry". She said that she understood, it did not matter and that she loved him. To this, Redgrave replied, "Very well. If you're sure, we will".
During the filming of Fritz Lang's Secret Beyond the Door (1947), Redgrave met Bob Mitchell, and they soon became lovers. Mitchell set up house close to the Redgraves, and he became a surrogate "uncle" to Redgrave's children (then aged 11, 9 and 5), who adored him. Mitchell later had children of his own, including a son he named Michael. Fred Sadoff was an actor/director who became Redgrave's assistant and lover; they shared lodgings in New York and London.
A card was found among Redgrave's effects after his death. The card was signed "Tommy, Liverpool, January 1940", and on it were the words (quoted from W.H. Auden): "The word is love. Surely one fearless kiss would cure the million fevers".
Redgrave died in a nursing home in Denham, Buckinghamshire, on 21 March 1985, from Parkinson's disease, the day after his 77th birthday. He was cremated at Mortlake Crematorium and his ashes were scattered in the garden of St Paul's, Covent Garden (The Actors' Church), London.Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Location 38997). McFarland & Company, Inc., Publishers. Kindle Edition.
Redgrave was appointed Commander of the Order of the British Empire (CBE) by the Elizabeth II in 1952 and Knight Bachelor in 1959. He was appointed Commander of the Order of the Dannebrog by Denmark in 1955.
The Redgrave Theatre in Farnham, Surrey, 1974–1998, was named in his honour.
In 1986, he was inducted posthumously into the American Theater Hall of Fame.
His plays include The Seventh Man and Circus Boy, both performed at the Liverpool Playhouse in 1935, and his adaptations of A Woman in Love ( Amourese) at the Embassy Theatre in 1949 and the Henry James novella The Aspern Papers at the Sondheim Theatre, in 1959.
| 1938 | The Lady Vanishes | Gilbert | First major role |
| Climbing High | Nicky Brooke | ||
| 1939 | Stolen Life | Alan MacKenzie | |
| 1940 | The Stars Look Down | Davey Fenwick | |
| A Window in London | Peter | Released as Lady in Distress in USA | |
| 1941 | Kipps | Kipps | Released as The Remarkable Mr. Kipps in USA |
| Atlantic Ferry | Charles MacIver | ||
| Jeannie | Stanley Smith | ||
| 1942 | The Big Blockade | Russian | |
| Thunder Rock | David Charleston | ||
| 1945 | The Way to the Stars | David Archdale | Released as Johnny in the Clouds in USA |
| Dead of Night | Maxwell Frere | ||
| 1946 | The Captive Heart | Captain Karel Hasek | |
| The Years Between | Michael Wentworth | ||
| 1947 | The Man Within | Richard Carlyon | Released as The Smugglers in the USA |
| Fame Is the Spur | Hamer Radshaw | ||
| Mourning Becomes Electra | Orin Mannon | ||
| Secret Beyond the Door... | Mark Lamphere | ||
| 1951 | The Browning Version | Andrew Crocker-Harris | |
| The Magic Box | Mr Lege | ||
| 1952 | The Importance of Being Earnest | Jack/Ernest Worthing | |
| 1954 | The Green Scarf | Maitre Deliot | |
| The Sea Shall Not Have Them | Air Commodore Waltby | ||
| 1955 | The Night My Number Came Up | Air Marshal Hardie | |
| The Dam Busters | Barnes Wallis | ||
| Mr. Arkadin | Burgomil Trebitsch | ||
| Oh... Rosalinda!! | Colonel Eisenstein | ||
| 1956 | 1984 | O'Connor (O'Brien) | |
| 1957 | Time Without Pity | David Graham | |
| The Happy Road | General Medworth | ||
| 1958 | The Quiet American | Thomas Fowler | |
| Law and Disorder | Percy Brand | ||
| Behind the Mask | Sir Arthur Benson Gray | ||
| 1959 | Shake Hands with the Devil | The General | |
| The Wreck of the Mary Deare | Mr Nyland | ||
| 1961 | No My Darling Daughter | Sir Matthew Carr | |
| The Innocents | The Uncle | ||
| 1962 | The Loneliness of the Long Distance Runner | Ruxton Towers Reformatory Governor | |
| 1963 | Uncle Vanya | Uncle Vanya | |
| 1965 | Young Cassidy | W. B. Yeats | |
| The Hill | The Medical Officer | (credited as Sir Michael Redgrave) | |
| The Heroes of Telemark | Uncle | ||
| 1966 | Alice in Wonderland | Caterpillar | (credited as Sir Michael Redgrave) |
| 1967 | The 25th Hour | Defence lawyer | |
| 1968 | Assignment K | Harris | |
| Heidi | Grandfather | TV movie | |
| 1969 | Oh! What a Lovely War | General Sir Henry Wilson | |
| Battle of Britain | Air Vice Marshal Evill | ||
| Goodbye, Mr. Chips | The Headmaster | ||
| 1970 | David Copperfield | Dan Peggotty | TV movie |
| Connecting Rooms | James Wallraven | ||
| Goodbye Gemini | James Harrington-Smith | ||
| 1971 | The Go-Between | Leo Colston | |
| A Christmas Carol | Narrator | Voice | |
| Nicholas and Alexandra | Sergey Sazonov | ||
| 1972 | The Last Target | Erik Fritsch | |
| 1975 | Rime of the Ancient Mariner | The Ancient Mariner | narration, (final film role) |
| The Return of the Native |
| 48 Episodes in the title role on CBS |
| The Unguarded Hour |
| Jane |
| 1936 | Love's Labours Lost | Ferdinand | William Shakespeare | Old Vic Theatre, London | |
| 1936-37 | The Witch of Edmonton | Warbeck | Saint Denis | Thomas Dekker | Old Vic Theatre, London |
| 1936-37 | As You Like It | Orlando | Ejme Church | William Shakespeare | Old Vic Theatre, London |
| 1936-37 | The Country Wife | Mr Horner | Tyrone Gathrie | William Wycherley | Old Vic Theatre, London |
| 1937 | The Bat | Anderson | Mary Roberts Rinehart and Avery Hopwood | Embassy Theatre | |
| A Ship Comes Home | Christopher Drew | Daisy Fisher | St Martins Theatre | ||
| 1938 | The White Guard | Alexi Turbin | Mikhail Bulgakov | Phoenix Theatre | |
| Twelfth Night | Sir Andrew Agnechek | William Shakespeare | Phoenix Theatre | ||
| 1939 | The Family Reunion | Harry, Lord Monchesney | T. S. Eliot | Westminster Theatre | |
| 1940 | The Beggar's Opera | Captain Macheath | John Gay | Theatre Royal, Haymarket | |
| 1943 | A Month in the Country | Rakitin | Ivan Turgenev | St James' Theatre | |
| 1947 | Macbeth | Macbeth | William Shakespeare | Aldwych Theatre | |
| 1958 | A Touch of the Sun | Philip Lester | N. C. Hunter | Saville Theatre | |
| 1959 | The Aspern Papers | H.J | Henry James | Sondheim Theatre, London | |
| 1960 | The Tiger and the Horse | Jack Dean | Frith Banbury | Robert Bolt | Sondheim Theatre, London |
| 1961 | The Complaisant Lover | Victor Rhodes | Graham Greene | Ethel Barrymore Theatre, New York | |
| 1962 | Out of Bounds | Launcelot Dodd MA | Arthur Watkyn | Wyndham's Theatre | |
| 1962-63 | Uncle Vanya | Uncle Vanya | Laurence Olivier | Anton Chekhov | Chichester Festival Theatre |
| 1963 | Hamlet | King Claudius | Laurence Olivier | William Shakespeare | National Theatre |
| 1964 | Hobson's Choice | Henry Horatio Hobson | Harold Brighouse | National Theatre | |
| 1971 | The Old Boys | Mr Jaraby | William Trevor | Mermaid Theatre | |
| A Voyage Round My Father | Father | John Mortimer | Theatre Royal, Haymarket | ||
| 1979 | Close of Play | Jasper | Simon Gray | National Theatre | |
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